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Sunday, 12 August 2012

Tioman Island


This card is available for trade.



Tioman Island (Malay languagePulau Tioman) is a small island located 32 km off the east coast of Peninsular Malaysia in the state of Pahang, and is some 39 km long and 12 km wide. It has eight main villages, the largest and most populous being Kampung Tekekin the north. The densely forested island is sparsely inhabited, and is surrounded by numerous coral reefs, making it a popular scuba diving spot. There are also a lot of resorts and chalets around the island which has duty free status.
Its beaches were depicted in the 1958 movie, South Pacific as Bali Hai. In the 1970s,TIME Magazine selected Tioman as one of the world's most beautiful islands.
Apart from its diverse marine life, the inland rainforest area, encompassing approximately 12,383 hectares, in Tioman is a strictly enforced nature reserve. There are several protected species of mammals on the island, including the BinturongLong-tailed MacaqueSlow LorisBlack Giant SquirrelRed Giant Flying SquirrelMouse deerBrush-tailed Porcupine, and Common Palm Civet, from a total of 45 species of mammals and 138 species of birds, including the majestic Frigatebird. Moreover, Tioman has species that are endemic to its shores. The soft-shelled turtle and the Tioman walking catfish are both unique and can be seen on rainforest walks.

The binturong (Arctictis binturong), also known as the Asian bearcat, the Palawan bearcat, or simply the bearcat, is a species of the family Viverridae, which includes thecivets and genets. It is the only member of its genus. The binturong is not a bear, and the real meaning of the original name has been lost, as the local language that gave it that name is now extinct.[3] Its natural habitat is in trees of forest canopy in rainforest of Bangladesh,BhutanBurmaCambodiaChinaIndiaIndonesiaLaosMalaysiaNepal, the Philippines,Sri LankaThailand, and Vietnam.[1]
The binturong is nocturnal[4] and sleeps on branches. It eats primarily fruit, but also has been known to eat eggs, shoots, leaves, and small animals, such as rodents or birds.Deforestation has greatly reduced its numbers. It can make chuckling sounds when it seems to be happy and utter a high-pitched wail if annoyed; when cornered, it can be vicious. The binturong can live over 20 years in captivity; one has been recorded to have lived almost 26 years.[citation needed]




Binturong[1]










The crab-eating macaque (Macaca fascicularis) is a cercopithecine primate native toSoutheast Asia. It is also called the long-tailed macaque, and is referred to as the cynomolgus monkey in laboratories.[2]





Crab-eating macaque[1]





The scientific name of the crab-eating macaque is Macaca fascicularisMacaca comes from the Portuguese word macaco, which was picked up from makaku, a Fiot (West Africanlanguage) word (kaku means 'monkey' in Fiot). Fascicularis is Latin for 'a small band or stripe'. Sir Thomas Raffles, who gave the animal its scientific name in 1821, did not specify what he meant by the use of this word, although it is presumed it had something to do with his observation of the animal's colour.[3]
This animal has several common names. It is often referred to as the long-tailed macaque because its tail is usually about the same length as its body and because its long tail distinguishes it from most other macaques. The species is also commonly known as the crab-eating macaque because it is often seen foraging beaches for crabs. Another common name for M. fascicularis is the cynomolgus monkey, which literally means "dog-milker" monkey; this is the name most commonly used in laboratory settings. In Indonesia, M. fascicularis and other macaque species are known generically as kera, possibly because of the high-pitched alarm calls they give when in danger ("krra! krra!").







Slow lorises are a group of five species of strepsirrhine primates which make up the genusNycticebus. Found in South and Southeast Asia, they range from Bangladesh and Northeast India in the west to the Philippines in the east, and from the Yunnan province in China in the north to the island of Java in the south. Although many previous classifications recognized fewer species, five are now considered valid: the Sunda slow loris (N. coucang), Bengal slow loris (N. bengalensis), pygmy slow loris (N. pygmaeus), Javan slow loris (N. javanicus), andBornean slow loris (N. menagensis). The group's closest relatives are other lorisids, such asslender lorisespottosfalse pottos, and angwantibos. They are also closely related to the remaining lorisiforms (the various types of galago), as well as the lemurs of Madagascar. Their evolutionary history is uncertain since their fossil record is patchy and molecular clockstudies have given inconsistent results.
Slow lorises have a round head, narrow snout, large eyes, and a variety of distinctive coloration patterns that are species-dependent. Their arms and legs are nearly equal in length, and their trunk is long, allowing them to twist and extend to nearby branches. The hands and feet of slow lorises have several adaptations that give them a pincer-like grip and enable them to grasp branches for long periods of time. Slow lorises have a toxic bite, a rare trait among mammals. The toxin is produced by licking a gland on their arm, and thesecretion mixes with its saliva to activate it. Their toxic bite is a deterrent to predators, and the toxin is also applied to the fur during grooming as a form of protection for their infants. They move slowly and deliberately, making little or no noise, and when threatened, they freeze and become docile. Their only documented predators—apart from humans—include snakes, hawk-eagles and orangutans, although cats, civets and sun bears are suspected. Little is known about their social structure, but they are known to communicate by scent marking. Males are highly territorial. Slow lorises reproduce slowly, and the infants are initially parked on branches or carried by either parent. They are omnivores, eating small animals, fruit, tree gum, and other vegetation.
All five species are listed as either "Vulnerable" or "Endangered" on the IUCN Red List and are threatened by the wildlife trade and habitat loss. Although their habitat is rapidly disappearing and becoming fragmented, making it nearly impossible for slow lorises todisperse between forest fragments, unsustainable demand from the exotic pet trade andtraditional medicine has been the greatest cause for their decline. Deep-rooted beliefs about the supernatural powers of slow lorises, such as their purported ability to ward off evil spirits or cure wounds, have popularized their use in traditional medicine. Despite local laws prohibiting trade in slow lorises and slow loris products, as well as protection from international commercial trade under Appendix I, slow lorises are openly sold in animal markets in Southeast Asia and smuggled to other countries, such as Japan. They have also been popularized as pets in viral videos on YouTube. Slow lorises have their teeth cut or pulled out for the pet trade, and often die from infection, blood loss, poor handling, or poor nutrition.



Slow lorises[1]







The island is served by ferries from the Malaysian mainland, and a propeller plane service by Berjaya Air from the Changi Airport in Singapore and Sultan Abdul Aziz Shah Airport in SubangSelangor.

Wednesday, 8 August 2012

Perhentian Island Card

An Island  card for trade .

An island card if you are interested. Let me know if you like the card.Also you can get details of travel from me.


Monday, 6 August 2012

The Value of stamps


Taken from this link.




A Point of View: Why sales of stamps flourish in tough times




Gold-painted postbox

As well as being a risk-free investment that guarantee a real rate of return,
postage stamps provide a unique way for people to insure against
an uncertain future, says John Gray.
Back in April of this year there was a run on postage stamps.
Not the Penny Black variety, which is sought by collectors and sold for large sums at auctions - but the familiar, everyday stamps you stick on your letters. At the end of that month, the price of a first class stamp rose from 40p to 60p, and a second class stamp from 36p to 50p.
The largest rises in percentage terms since 1975 - 30% and 39% respectively - led to people stocking up as many as they could afford to buy.
The window for stockpiling didn't last long, since the Royal Mail rationed supplies to retailers - but one small business owner announced he would buy 10,000 before the rise took effect.
Unknown numbers of people bought extra stamps on a more modest scale.
Those who stocked up on stamps did so for a simple reason- to postpone the impact of the price increase they knew was going to take place. Buying the stamps right away saved them money, and if they bought enough of them they could avoid higher prices for a considerable period of time.

John Gray

Find out more

  • John Gray is a political philosopher and author of False Dawn: The Delusions of Global Capitalism

A risk-free investment that guaranteed a real rate of return, the stamps presented a unique opportunity. Where else can you any longer find any real return on your money?

One of the landmarks of the strange new world we've entered since the crash of 2008 is that interest rates on cash are in many cases practically zero. In reality, of course, they're negative, since inflation is steadily eroding the value of any cash you may have saved. Real interest rates - the rates for savers that you see advertised in banks minus the rate of inflation - have been negative for several years.
You can earn a real rate of return by buying high-yielding shares on the stock market, but only if you're ready to expose yourself to the hazard of large losses in another crash. That's a gamble many people are in no position to take - pensioners who have no prospect of rebuilding their life-savings, young people struggling to save up a deposit on a house and the millions who are worried about losing their jobs.
This state of affairs is a result of what has been described as financial repression - the manipulation of markets with the aim of reducing the burden of government debt. Bailing out the banks was necessary to avoid a catastrophic financial meltdown.
Stamps - the face of stability?
First and second class stamps
But forcing interest rates down to a level where they are negative for year after year is a kind of slow-motion debt-write-off. This is what was done with the massive borrowings that were run up during World War I, after which exchange controls were imposed in Britain and other countries, stopping investors from moving their money abroad and compelling them to accept negative returns. Whatever methods they use, policies of this sort are an undeclared tax on savings.
That may not be the intention - governments have no reason to want people to stop saving - but it's the inevitable effect of trying to write off debt by means of inflation. Rightly, these policies are resented as unfair, even though their long-term effects are not immediately visible and few people understand how financial repression actually works.
In fact it's not clear that it will work. We're not in the post-war era when economies were relatively closed and capital was trapped. Today it can move in an instant, and some of the recent financial crises come from capital fleeing banks and governments whose solvency is in question.
Again, though it may not be obvious when you're buying groceries, wages and prices in many areas are being driven down by global markets and the internet, and it's not as easy to stoke up inflation as it may seem.
Unless money is printed on a colossal scale and collapses in value as has happened in countries such as Zimbabwe, the hope that today's levels of debt can be wiped away by a dose of inflation may be just an illusion.






Politicians tell you to put aside money for the future, but there 

seems little point when any money you set aside is certain to 

lose value.While we don't know whether financial repression will work, 


it's already clear that it's having an impact on the way we live. Politicians 

tell you to put aside money for the future, but there seems little point in 


doing so when any money you set aside is certain to lose value over time



Even if inflation remains at low levels, your savings will melt away if the return on them is still lower. Worse, if your income is rising more slowly than the rate at which money is losing value, you'll be getting slowly poorer, like many people today.
In these circumstances, the very idea of retirement is fast becoming an impractical dream. For younger people, this may seem a remote concern. But if you can't look forward to a time when you can enjoy the fruits of a lifetime's labour, what you have in front of you is a lifetime of chronic uncertainty.

Person posting a letter into a post box

Previously in the Magazine

Ahead of the UK postage stamp price rise in April 2012, the BBC Magazine went on a hunt to discover which country had earned the dubious honour of being the most expensive place to post a letter.
Find out the result here...

There are economists who will tell you not to bother too much about this situation. Old-age pensions, they point out, are a recent innovation, invented - along with the welfare state - by the German statesman Otto von Bismarck towards the end of the 19th Century. In Britain, it was only in 1908 that Lloyd George brought in the Old Age Pensions Act, which guaranteed a minimum income to people who were over 70.
But the economists who point out that pensions aren't much more than a century old haven't told us what's going to replace them. Until the financial crisis, it was assumed private pensions could do the job. That assumed a stable growth in markets which couldn't possibly last. Sooner or later another market upheaval was bound to come. By shifting all the risk of saving for the future onto the shoulders of ordinary people, governments are forcing them to accept a level of risk that only the very rich can afford.
We're moving into a world we find unfamiliar, but maybe this strange new world isn't so new. Anyone who has read the novels of Charles Dickens knows there was a time when most people scraped a living from day to day, with no protection against hardship other than a miserable subsistence in the poor-house.
Far removed from the struggling majority, the rich inhabited a very different world, but even they could be suddenly ruined and end their days in the debtor's prison. Everyone lived surrounded by uncontrollable danger.
Striking public sector workers march in protest through central London, on May 10, 2012The security that many enjoyed in the recent past is fading from memory
During the second half of the 20th Century, many of these dangers seemed to have been left behind forever. Two world wars and a great depression stirred governments to build defences against uncertainty - policies of full employment and a welfare state, which enabled people to live without fearing that their plans might at any time be overturned by an economic downturn or personal misfortune. Now, as a result of the huge debts that have been left over from an artificial boom, these defences are being scaled back. The relative security that many people enjoyed in the recent past is fading from memory.
We seem to be reverting to an older past in which a mega-rich minority pre-empts much of the profit of any growth in the economy, while the rest of the population has to scramble for whatever they can get. As has been the case throughout much of history, society is being divided into a majority that is destined to remain pinched and struggling and an oligarchy possessed of vast but fickle wealth.
The era in which the middle classes could plan for their old age and expect their children to enjoy the same security seems to be coming to an end. The run on postage stamps could be a sign that some of us are beginning to suspect that the settled life we took for granted may have been no more than an interlude.

Sunday, 29 July 2012

Birds of India

A few of the lovely Birds of India
I have a  few of these stamps.I am looking for more.Kindly assist

Friday, 27 July 2012

Bangladesh and its wildlife

A few of the wildlife
If you are able to get these stamps let me know.

Thursday, 26 July 2012

Bangladesh and its birds

A few Birds of Bangladesh
If you are able to find these stamps let me know.

Wednesday, 25 July 2012

Port Pirie Australian Card 1

Another rare card


























Some of these cards are for trade.If you know how to get more of these cards let me know.

Saturday, 21 July 2012

Friday, 20 July 2012

Wat Xieng Thong, Laos

An ordination view





















Again one of those rare cards but can be given to you if you request.

Thursday, 19 July 2012

Laos Postcard 4

They are dressed well
This card is available for trade.

Wednesday, 18 July 2012

Laos Postcard 3

Laos card for trade
Another marvellous card  I have lots to trade that I received because I hosted a person.Ask me for trade terms

Monday, 16 July 2012

Laos Postcard 2 Chapsak

Really few cards
Another card to trade from Laos.
Limited quantities so hurry for the best deal.

Sunday, 15 July 2012

Laos Postcard 1

Laos  for trade card

This card and a few more came because
I have been hosting travellers.This is the advantage of hosting travellers.
The card is ready for trade.


Sunday, 8 July 2012

Australian Stamps in Keychains more for you

More Aussie stamps in Keychains























So here is a new batch of Australian stamps  inside Keychains.

Monday, 2 July 2012

Australian Stamps in Keychains




Another five keychains

Here are several keychains that have genuine Australian stamps inside.

There are two stamps per keychain.

Let me know if you need any of these pieces.













Friday, 29 June 2012

Thursday, 28 June 2012

Malaysian Recent Mix of Stamps

Malaysian  Stamps
Lovely Malaysian stamps to get for your collection.Each of them are tough to get.If you need them just ask me.

Monday, 18 June 2012

Friday, 15 June 2012

English Learning, Russian Learners

АНГЛИЙСКИЙ ПО SKYPE!  Репетиторство по английскому языку. Обучение основам английского языка, а также грамматике, письму, чтению, общению. Работа со школьниками и студентами. Перевод текстов различной теманики, выполнение контрольных работ. По всем вопросам пишите на apicentre@yandex.ru






ENGLISH ON SKYPE! Tutoring in English. Learning the basics of the English language as well as grammar, writing, reading and conversation. Work with schoolchildren and students. Translation of texts of various temaniki, performance tests. By Mail to apicentre@yandex.ru





Thursday, 14 June 2012

Airmail Stickers Big Sized

Airmail stickers 
Finally I found these big stickers.These are put on big packages that are sent out by airmail.

Monday, 11 June 2012

Sea Mail Sticker

Sea Mail Sticker
So here we get to see this rare Sea Mail Sticker.These stickers are often kept to be used for  the actual mailing.

Sunday, 10 June 2012

Canada in Winter

Biting Cold









A multiview card to show you the winter scenes.





Get a card from me to show you this snowy winter.

Wednesday, 6 June 2012

BBC English Dictionary

A dictionary for education
This dictionary is unique in that  there is a section on the geographical names of each of the places of the world with the exact pronunciations

Monday, 4 June 2012

Bunny in Pennsylvania

A silent bunny



















I am looking for this card very desperately.Exchange trade terms can be discussed.

Saturday, 2 June 2012

Friday, 1 June 2012

Monday, 28 May 2012

Canada has Pow Wow




















So now you can see this classic card.Do you want this card?

Wednesday, 23 May 2012

British Airways Aeroplane

British Airways
The fact of travel which is common these days.

Saturday, 19 May 2012

Friday, 18 May 2012

Sadequain (1930-1987)


Sadequain (1930-1987)Sadequain was born in Amroha (undivided India) in 1930 and graduated from the Agra University. Sadequain is considered to be one of the most prolific artists of Pakistan. He was wholly self-taught and after some efforts, crystallized his art into a very distinct and personal idiom. Sadequain made his name as a painter of large murals in public buildings, the first of which was in Jinnah Hospital and the second at Karachi Airport in 1957 where he painted Sindhi and Balochi women with their long embroidered gowns, carrying water pitchers. In 1960 he was awarded Tamgha-i-Imtiaz by the government and the President's Pride of Performance in 1962, and won top honours in a national Art Exhibition and was invited to Paris by the French Committee of the International Association of Plastic Arts. There, he was awarded at the Paris Biennale.From 1969 to 1985, he devoted himself to calligraphy, of which he developed an entirely new style. His calligraphic style is an icon of standard and widely followed. He painted the different verses of the Sura Rahman from the Quran and made each verse into a painting. Painterly calligraphy became popular with all artists and the public in Pakistan after Sadequain. Sadequain traveled intensively, showing his work in London, New York, Australia, Romania and Russia. He journeyed through India for two years, showing his work in major cities, painting and sketching ceaselessly. In 1972, he was engaged in painting the ceiling of the Lahore Museum with the epic mural, "The Evolution of Mankind."Shortly before his death, he again came back to painting and was working on the most prodigious painting project of his life on the theme "Man and his Universe" when he died, leaving it only three-fourth complete. It has been installed on the ceiling of Liaquat Hall (former Frere Hall) in Karachi.


Thursday, 17 May 2012

Askari Mian Irani (1940-2004)




Askari Mian Irani (1940-2004)Askari Mian Irani graduated from National College of Art, Lahore in 1967 in Commercial Design and not painting, which he would have personally preferred, but his father wanted to see him as commercial designer. Till 1976, he remained in the business of advertising, but became disillusioned and dissatisfied with the nature of his job. His first love and passion had always been painting and he felt that his potential as painter was being stifled. So a job opening in the design department of National College of Art, seemed timely. In 1976 he came back to Lahore, joined National College of Art as  Assistant Professor of design, and was promoted to Associate Professor till his retirement in 2000. In his mature work, Askari developed a new style, assimilating alphabets, syllables and numerical. Architectural elements both structural and decorative, equestrian figures in princely costumes, derived from the country visions of Mughal India, were all part of his idiom. Glowing with colours, rich with textures, his paintings show a vast variation in the use of eastern motifs. Askari plucks them from their traditional context to place them in visually different and exiting variations, making paintings come alive with a fresh immediacy. His paintings communicate to viewers on different levels and can be appreciated equally by those for whom the motifs mean something, as well as those for whom they are no more than elements of design. He was awarded the President's Award for the Pride of Performance in 2002.



Wednesday, 16 May 2012

Zahoorul Akhlaque (1941-1999) Mayo school



Zahoorul Akhlaque (1941-1999)Zahoorul Akhlaque joined the famous art institute of Lahore in 1958 when it was elevated from the Mayo School of Art to the National College of Art. The College was fortunate to get in those years a new Principal in the person of Prof. Sponenburgh while Shakir Ali was promoted Professor of Art. As a student of Fine Art, Zahoor came in close contact with Shakir Ali and received his close attention and encouragement. After graduation from the College in 1962, Zahoor joined as a teacher in the Fine Arts Department. Under the influence of such a highly gifted teacher and guide it was natural for Zahoor to be influenced by the Cubist style and other modern ideas of Shakir Ali. He used the format of the manuscript page and the royal edict with calligraphic effects in his paintings before going to London. There he was irresistibly drawn towards the Mughal miniatures in the British Museum.During 1966-67, he studied at the Hornsey College of Art, London and during 1968-69 at the Royal College of Art. Four years of higher education in these famous art institutions and the opportunity to see and study an treasures of London, helped the artist to evolve and mature. In the huge painting that he displayed in the National Exhibition held at Lahore in March, 1985, Zahoor took up a nationalist theme, the heroes of the Pakistan Movement, which was formally launched at Lahore in March, 1990. The canvas was divided into small squares and many of them were filled with small portraits of the makers of Pakistan. These were actually photographs pasted and painted over. In the centre was a large portrait of Quaid-e-Azam Mohammad Ali Jinnah.One of the artists memorable paintings was titled "A Study for a Butterfly". It shows a huge black cloud representing an atomic explosion. Caught in this fearful dark cloud is a colourful butterfly painted in bright green and orange. It is bravely fluttering its way through deadly smoke, as the symbol of hope and surviving life. Zahoor lost her life accidentally along with his daughter on January 18, 1999. He was awarded, the President\'s Award for the Pride of Performance, award posthumously in 2005



Tuesday, 15 May 2012

Anna Molka Ahmed (1917-1994)


Anna Molka Ahmed (1917-1994)Anna Molka Ahmed was born on August 13, 1917 in London. She was the first art teacher in Pakistan to take her students outdoor to paint their surroundings. Her own work, thick impasto impressions often appear to capture the very essence of sunshine. Professor Emeritus, Punjab University Fine Arts Department, her pioneering work in the field of art education is incalculable. Recognition of her work is documented by way of national awards, which include Tamgha-i-Imtiaz in 1963, the President's Award for the Pride of Performance in 1969 and also the Khudeja Tul Kubra Medal.A child of mixed Russian and Polish parentage, she was born in 1917 and was drawn to art at an early age. Defying parental disapproval, Anna achieved first a scholarship to St. Martin's School of Art in London, followed by a scholarship to the Royal Academy of Art. She met and married fellow artist, Sheikh Ahmed, and left her native London to make her home in the Punjab. Anna Molka set fourth to change art education in Pakistan and launched the Fine Arts Department in the Punjab University in 1940, which she continued to head for over three decades. Professor Anna Molka Ahmed's students were instrumental in establishing Fine Arts Departments throughout Pakistan and many have gained recognition in the art world.After her retirement, she took great satisfaction in concentrating on her painting, still vibrant and full of interest despite health problems. Anna is part of the beginning of art developments in Pakistan. I am, once she said, "the Mother of all the artists." The artists are fortunate, she was a gallant matriarch and a great lady. Died in Lahore on April 21, 1994.


Monday, 14 May 2012

Ahmed Parvez (1926-1979)


Ahmed Parvez (1926-1979)
Ahmed Parvez born in Rawalpindi on June 7, 1926 w
as a most prolific painter. From 1955 to 1964, he lived in London and there developed a purely abstract style in which short swift strokes, arcs, ellipses, whorls and circles, were used to build up a design that seemed to explode and erupt and fly apart but were firmly held together in a coherent pattern. Parvez was renewed for painting of ingenious and intricate abstract compositions. From his first solo exhibition in 1952 to his last in 1979, Parvez passed through many phases as a painter. During all these years his work was marked by bursts of nervous energy expressed in vigorous short strokes sharp turns and twists of the line. Though his work is prismatically colourful, it is basically linear. He conceived a composition and drew, often in thick black line, filled with intense bright colours, which many linked to jewels.Some of his linear motifs are like Islamic arabesque made up of long hooks, loops, curls, elongated shapes and tear shapes, but in Parvez they are not languid but always bursting with an contemporary in character. Parvez was Awarded President\'s Award for the Pride of Performance in 1978.

Saturday, 12 May 2012

Beethoven's Fifth Symphony. and Zubeida Agha



Zubeida Agha (1922-1997)Zubeida Agha, born in Faisalabad, was a woman with the courage of her convictions. She lived her life for art, creating paintings that will enable future generations to share her extraordinary vision. Zubeida graduated in Philosophy from Kinniard College and cast about for explanations for her wildly coloured dreams about painting. She began her study of art with Sanyal in Lahore. In her early work, she attempted to explore the theme in the medium of sculpture, also surrealistic paintings, done in somber colours with titles "Wisdom, "Beethoven's Fifth Symphony. Deserted Street" and so on. She was offered an art scholarship in 1950,  and was enrolled at St. Martin's School of Arts, London but six months later transferred to the Ecole des Beau Arts, Paris and there, she began her serious study of art.Zubeida thoroughly explored the possibilities of colour, returning to Pakistan in 1953, with an intense, vigorously imaginative style of painting. Her opinions on modern art developments were definite. "What is the point of painting problems, does it solve anything. Galleries, are more interested in sales than standards and the artists are complicit in this. Without sincerity there is no true art", she once said. In 1965, Zubeida was Awarded the President\'s Award for the Pride of Performance. She died in 1997.


Friday, 11 May 2012

Ali Imam


Ali Imam (1924-2002)Ali Imam started painting in 1941 when he joined the evening classes of the Nagpur School of Art. He held his first one-man show at Rawalpindi in 1952. Included in this exhibition were watercolour street scenes of Lahore of pastoral activity, such as winnowing, threshing by village women. After graduating from Gordon College, Rawalpindi, in 1949; he worked with peasants in villages as a Communist party worker till 1951. His observation of village life was projected in his paintings, like Punjabi village women at their homely tasks, churning curd to make butter, grinding corn and pounding spices with mortar, the women sat on low high-backed chairs, typical of rural Punjab. In his work figures are utterly simplified and are heavily swathed in loose garments.Ali Imam went to London in 1956 where he lived till 1967. On his return, he developed a simple yet sophisticated style in which human figures, horses and other objects were shown in his paintings with soft subdued greys, blues, browns and yellows and neutral colours. Later his design quality became less but great emphasis given on the text of the paint. For this he laid pigment on pigment in related hues in such dots and patches so that the lower layers glimmered through and certain colours vibrations were created.Ali Imam was of the first generation of Pakistan artists and promoter. From 1970 till 2002 he was running the Indus Gallery Karachi where many notable artists have held their first shows. His sole aim was to promote artist, create a public awareness and educate art collectors, May 23, 2002, was the day, when a very important chapter of Pakistan art history closed. He was awarded Tamgha-i-Imtiaz and President's Award for the Pride of Performance.



Wednesday, 9 May 2012

Shakir Ali postage stamp


Shakir Ali (1916-1975)

Shakir Ali, born in Rampur of undivided India in 1916 received his early art education at the J.J. School of Art Bombay and later at the Slade School of Art, London, in France with Andre L 'Hote, and in Prague, before he came to Pakistan. He began by painting in the style of Braque, making bulls' heads and still life in a Cubist manner. Later, found his own style in which human figures, horses and cattle in a few bold, powerful lines. There was masterly economy in his style and tremendous force in his line. The distortion of the natural form was based on a close study of nature. Shaker Ali is acknowledged as the founder of Modern art in Pakistan, and he introduced the philosophy and developments in art to generation of young artist. His position as teacher gave him a special opportunity to influence the young artists of Lahore. Moreover, his friendly nature brought him in touch with a large section of the cultural world, his persuasive and sincere manner of talking helped him to bring round the young artists to his manner of thinking.Once a discussion with artists and art critics Shakir Ali said, "I am not totally abstract. This is a period of symbolism. Every artist passes through this period and I think I am also passing through this period. Similarly the moon and flowers which shine equally all over the world, symbolized universality". He was also of the opinion that "Each one of us is born with a bird, free unfettered, reaching out for the infinite. But owing to the prejudices of our civilization, the restriction of our families and the superimposition of convention, that bird is caged and loss its notes of freedom. I am trying to find that bird in men. And if I do, I will pass it on. That bird will go right from me to you".Shakir Ali was one of the first artists to explore calligraphy in a painterly style. He died on January 27, 1975, few days after he attended the funeral of Abdur Rahman Chughtai. He was awarded President's Award for the Pride of Performance in 1967 and Sitara-e-lmtiaz in 1971.

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